As one of the cornerstones of comic book fandom for almost 83 years, DC Comics’ caped crusader has been at the center of some of the film industry’s most memorable moments and biggest box office impacts throughout the past four decades.
As 2022’s first bona fide tentpole to hit the big screen, Matt Reeves’ The Batman is poised to join the club and reinvigorate the theatrical marketplace when it debuts just four weeks from now.
The Batman
Friday, March 4
PROS:
- Batman is inarguably one of the most valuable and reliable pop culture icons when it comes to the box office, evidenced by numerous blockbuster performances across multiple generations of moviegoers — from Tim Burton’s 1989 film to Christopher Nolan’s early 2000s trilogy and Zack Snyder’s Batman v. Superman: Dawn of Justice in 2016.
- Advance tracking, social activity, and trailer imprints for The Batman are the strongest of any release excluding Spider-Man: No Way Home since before the pandemic began. Preliminary metrics align closely with Captain Marvel, which scored the third highest March opening in history with $153.4 million three years ago.
More bullish models are also generating notable trendlines with Star Wars: The Rise of Skywalker ($177.4 million in December 2019) and Batman v. Superman ($166 million in March 2016, which is also the record for a DC film). 2017’s Beauty and the Beast remake bested the latter for what is the current March record at $174.8 million.
As for current forecast ranges (listed below), it would not be surprising for them to trend upward in the weeks ahead if pre-sales and reviews come out strong. As Warner Bros.’ first theatrically exclusive tentpole since Tenet, marketing is expected to fire on all cylinders.
- Another rebirth of the timeless comic book juggernaut is coupled with a new leading man in Robert Pattinson, an actor already well-established in the minds of both fan followers and indie film communities thanks to a diverse and widely praised early career resume.
- With a strong ensemble cast behind a gallery of familiar Batman mythos characters good, bad, and everything in between, the commercial prospects of this film measure up to the type of A-list talent that has previously helped attract the most casual of Batman and comic book fans for prior cinematic chapters.
- Comic book films have clearly been the most in-demand throughout pandemic recovery, with five of the top six domestic earners in 2021 hailing from the page. This will notably be DC’s first release since Wonder Woman 1984 during the nascent stages of theatrical re-openings in late 2020, and not far removed from the resounding success of 2019’s Joker.
- Young audiences and men of all ages have been at the heart of rebounding box office hits over the past year, and The Batman will strongly pull from those bases. The presence of Zoë Kravitz’s Catwoman and Pattinson’s own draw among young women could further expand interest for this film beyond die-hards.
- After a slow winter box office that saw Spider-Man: No Way Home carry its phenomenal run through January virtually unchallenged (other than by Scream), and a February slate that looks to only modestly improve the status quo, pent-up demand for the next theatrical event should be in full swing by early March — especially as the weather begins to turn warmer and expectations surrounding the pandemic hope to improve again.
Moreover, a fairly light March slate allows plenty of runway for staying power and retention of premium format screens.
- Matt Reeves’ involvement itself is a point of strength as he writes and directs with a complete vision for where this new Batman will go, not unlike Nolan’s previous approach. Reeves previously captained the commercially successful and widely lauded modern Planet of the Apes trilogy from 2011 to 2017.
CONS:
- At two hours and fifty-five minutes, The Batman‘s long run time could marginally limit showtimes-per-day. That’s primarily a factor for opening weekend projections, though, and the relative lack of strong holdovers from January and February should allow theater owners to compensate with plenty of screen space.
- With what appears to a noir-fueled, gritty take on Gotham City, it remains to be seen how this version of the character and the world around him walk the line between the mainstream appeal of many comic book films versus the psychological nature and more violent aspects that could be off-putting to some parents and/or kids.
- The reboot of any major franchise or character always comes with a set of built-in risks. Not only must audiences re-familiarize with a new vision and cast, the weight of expectations can be challenging to overcome. Christopher Nolan’s Dark Knight Trilogy remains a beloved staple for many audiences, but after ending ten years ago, enough time may have now passed for the franchise and an evolving audience to warmly embrace Matt Reeves’ interpretation.
- On a similar note, word of mouth will be crucial for box office staying power. Batman v Superman was notoriously front-loaded with less than a 2x opening weekend multiple despite the prowess of its two characters appearing on screen together for the first time (and starring Ben Affleck in his first turn as Batman).
Conversely, 2008’s The Dark Knight still achieved a greater-than 3.3x multiple from opening weekends on the back of sensational audience reception.
Long Range Box Office Forecast & 2022 Calendar
(as of 2/4/22)
| Release Date | Title | 3-Day (FSS) Opening Low/High Range | Domestic Total Low/High Range | Estimated Location Count | Distributor |
| 2/11/2022 | The Beatles: Get Back – The Rooftop Concert | 80 (Wed 2/9) | Disney | ||
| 2/11/2022 | Blacklight | $2,000,000 – $5,000,000 | $5,000,000 – $15,000,000 | 3,000 | Briafcliff Entertainment |
| 2/11/2022 | Death on the Nile | $12,000,000 – $17,000,000 | $40,000,000 – $65,000,000 | 3,200 | Disney / 20th Century Studios |
| 2/11/2022 | Marry Me | $7,000,000 – $12,000,000 | $19,000,000 – $39,000,000 | 3,500 | Universal Pictures |
| 2/18/2022 | Dog | $8,000,000 – $15,000,000 | $30,000,000 – $65,000,000 | 3,100 | MGM |
| 2/18/2022 | Uncharted | $25,000,000 – $35,000,000 | $60,000,000 – $85,000,000 | 4,000 | Sony Pictures / Columbia |
| 2/25/2022 | Cyrano (Wide Expansion) | n/a | United Artists Releasing | ||
| 2/25/2022 | Studio 666 | Open Road Films | |||
| 3/4/2022 | The Batman | $135,000,000 – $185,000,000 | $340,000,000 – $540,000,000 | Warner Bros. Pictures | |
| 3/4/2022 | Mrs. Harris Goes to Paris | Focus Features | |||
| 3/11/2022 | Untitled Universal Musical Event | Universal Pictures | |||
| 3/18/2022 | Operation Fortune: Ruse De Guerre | STXfilms | |||
| 3/18/2022 | The Outfit | Focus Features | |||
| 3/18/2022 | The Unbreakable Boy | Lionsgate / Kingdom Story Company | |||
| 3/25/2022 | The Lost City | Paramount Pictures | |||
| 4/1/2022 | The Contractor | STXfilms | |||
| 4/1/2022 | Easter Sunday | Universal Pictures | |||
| 4/1/2022 | Morbius | Sony Pictures / Columbia | |||
| 4/8/2022 | Ambulance | Universal Pictures | |||
| 4/8/2022 | Untitled Searchlight | Walt Disney Pictures | |||
| 4/8/2022 | Untitled Universal Event Film 2022 2 | Universal Pictures | |||
| 4/8/2022 | Sonic the Hedgehog 2 | Paramount Pictures | |||
| 4/15/2022 | Eiffel | Blue Fox Entertainment | |||
| 4/15/2022 | Fantastic Beasts: The Secrets of Dumbledore | Warner Bros. Pictures | |||
| 4/15/2022 | Father Stu | Sony Pictures / Columbia | |||
| 4/15/2022 | Untitled WB Event Film 2022 1 | Warner Bros. Pictures | |||
| 4/22/2022 | The Bad Guys | Universal Pictures / DreamWorks Animation | |||
| 4/22/2022 | The Northman | Focus Features | |||
| 4/22/2022 | The Unbearable Weight of Massive Talent | Lionsgate | |||
| 4/29/2022 | 65 | Sony / Columbia Pictures | |||
| 5/6/2022 | Doctor Strange in the Multiverse of Madness | Disney / Marvel Studios | |||
| 5/13/2022 | Untitled Blumhouse Productions Project 2022 1 | Universal Pictures | |||
| 5/20/2022 | DC Super Pets | Warner Bros. Pictures | |||
| 5/20/2022 | Downton Abbey: A New Era | Focus Features | |||
| 5/27/2022 | Bob’s Burgers | Disney / 20th Century Studios | |||
| 5/27/2022 | Top Gun Maverick | Paramount Pictures | |||
| 6/3/2022 | Untitled WB Event Film 2022 2 | Warner Bros. Pictures | |||
| 6/10/2022 | Jurassic World: Dominion | Universal Pictures | |||
| 6/10/2022 | Untitled Searchlight | Disney / Searchlight | |||
| 6/17/2022 | Lightyear | Disney / Pixar | |||
| 6/17/2022 | Oh Hell No | Sony Pictures | |||
| 6/24/2022 | The Black Phone | Universal Pictures | |||
| 6/24/2022 | Elvis | Warner Bros. Pictures | |||
| 6/24/2022 | Untitled Blumhouse Project | Universal Pictures | |||
| 6/29/2022 | Shotgun Wedding | Lionsgate | |||
| 7/1/2022 | Minions: The Rise of Gru | Universal Pictures | |||
| 7/8/2022 | Thor: Love and Thunder | Disney / Marvel Studios | |||
| 7/15/2022 | Bed Rest | STXfilms | |||
| 7/15/2022 | Bullet Train | Sony Pictures | |||
| 7/22/2022 | Blazing Samurai | Paramount Pictures | |||
| 7/22/2022 | Nope | Universal Pictures | |||
| 7/22/2022 | Where the Crawdads Sing | Sony / 3000 Pictures | |||
| 7/29/2022 | Black Adam | Warner Bros. Pictures | |||
| 8/5/2022 | Secret Headquarters | Paramount Pictures | |||
| 8/5/2022 | Untitled WB Event Film 2022 3 | Warner Bros. Pictures | |||
| 8/12/2022 | Untitled Searchlight | Disney / Searchlight | |||
| 8/12/2022 | Man from Toronto | Sony Pictures / Columbia | |||
| 8/19/2022 | Beast | Universal Pictures | |||
| 8/26/2022 | The Bride | Sony Pictures / Columbia | |||
| 8/26/2022 | Samaritan | United Artists Releasing | |||
| 9/2/2022 | (no releases scheduled) | ||||
| 9/9/2022 | Salem’s Lot | Warner Bros. / New Line | |||
| 9/16/2022 | Are You There God? It’s Me, Margaret. | Lionsgate | |||
| 9/16/2022 | Distant | Universal Pictures | |||
| 9/16/2022 | The Woman King | Sony / TriStar Pictures | |||
| 9/23/2022 | Don’t Worry Darling | Warner Bros. Pictures | |||
| 9/23/2022 | Puss In Boots: The Last Wish | Universal Pictures / DreamWorks Animation | |||
| 9/23/2022 | Untitled 20th Century 2022 3 | Disney / 20th Century Studios | |||
| 9/30/2022 | Bros | Universal Pictures | |||
| 10/7/2022 | Spider-Man: Across the Spider-Verse (Part One) | Sony Pictures | |||
| 10/14/2022 | Halloween Ends | Universal Pictures | |||
| 10/14/2022 | White Bird: A Wonder Story | Lionsgate | |||
| 10/21/2022 | Ticket to Paradise | Universal Pictures | |||
| 10/21/2022 | Untitled Paramount | Paramount Pictures | |||
| 10/28/2022 | The Devil’s Light | Lionsgate | |||
| 11/4/2022 | The Flash | Warner Bros. Pictures | |||
| 11/4/2022 | Untitled Bee Gees | Paramount Pictures | |||
| 11/4/2022 | Untitled David O. Russell | Disney / 20th Century Studios | |||
| 11/11/2022 | Black Panther: Wakanda Forever | Disney / Marvel Studios | |||
| 11/18/2022 | Lyle, Lyle, Crocodile | Sony / Columbia Pictures | |||
| 11/18/2022 | Untitled WB Event Film 2022 4 | Warner Bros. Pictures | |||
| 11/18/2022 | She Said | Universal Pictures | |||
| 11/18/2022 | Thirteen Lives | MGM / United Artists Releasing | |||
| 11/23/2022 | Creed III | MGM | |||
| 11/23/2022 | The Fabelmans | Universal Pictures | |||
| 11/23/2022 | Strange World | Walt Disney Pictures | |||
| 12/2/2022 | Violent Night | Universal Pictures | |||
| 12/9/2022 | (no releases scheduled) | ||||
| 12/16/2022 | Aquaman and the Lost Kingdom | Warner Bros. Pictures | |||
| 12/21/2022 | Avatar 2 | Disney / 20th Century Studios | |||
| 12/21/2022 | Mario | Universal Pictures | |||
| 12/23/2022 | I Wanna Dance With Somebody | Sony Pictures / TriStar Pictures | |||
| 12/23/2022 | Untitled 20th Century 2022 6 | Disney / 20th Century Studios | |||
| 12/30/2022 | (no releases scheduled) |
All above figures represent best and worst case scenarios for how each respective film is currently tracking based on existing market conditions and projected model fluctuation before release. These are not final forecasts.
Pinpoint opening weekend and domestic total projections are available exclusively to Boxoffice PRO clients. For more information on forecasts, pricing, and availability, please contact us.
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