On a weekend with no new wide releases in the marketplace and just 43% of theaters across the country remaining open, Open Road’s The Marksman kept its hold on the No. 1 spot at the box office with an estimated $2.03 million, a drop of 35% from its debut. The Liam Neeson thriller now has $6.09 million after ten days of release.
Easing just 9% from last weekend was The Croods: A New Age, which continues pulling in family audiences in its ninth weekend of release. The Universal sequel grossed an estimated $1.82 million, bringing its total to $41.83 million to date.
Wonder Woman 1984 finished in third place with an estimated $1.6 million, a drop of 38%. That brings the domestic total for the Warner Bros. sequel to $37.7 million through the end of its fifth weekend.
Coming in fourth place was Sony’s Monster Hunter, which grossed an estimated $820,000 for the weekend (a drop of just 11%) for a total of $10.2 million to date.
Rounding out the top five was Universal’s News of the World, which dipped 19% to an estimated $810,000 this weekend. The Oscar-tipped Tom Hanks Western — which could switch positions with Monster Hunter once actuals are tallied given the scant $10,000 difference between the two titles — has $9.65 million through the end of its fifth weekend.
Opening in 543 locations was Gravitas Ventures’ Our Friend, which debuted with an estimated $250,000. The dramedy starring Casey Affleck, Dakota Johnson and Jason Segel – which first premiered at the 2019 Toronto Film Festival – is also currently available in PVOD.
RLJE Films released the horror-comedy PG: Psycho Goreman on 45 screens and brought in an estimated $44,500 for the weekend.
OVERSEAS
Wonder Woman 1984 grossed an estimated $2.1 million overseas, bringing its international tally to $110.3 million and its worldwide total to $148 million.
The Croods: A New Age continued its slow creep to $100 million internationally with an estimated $1.62 million gross this weekend, bringing its overseas total to $97.96 million and its global cume to $139.8 million to date.
Sunday’s Studio Weekend Estimates (Domestic)
FRI, JAN. 22 – SUN, JAN. 24
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | The Marksman | $2,030,000 | -35% | 2,018 | 43 | $1,006 | $6,093,974 | 2 | Open Road / Briarcliff Entertainment |
2 | The Croods: A New Age | $1,820,000 | -9% | 1,876 | 21 | $970 | $41,835,455 | 9 | Universal Pictures |
3 | Wonder Woman 1984 | $1,600,000 | -38% | 2,013 | -188 | $795 | $37,700,000 | 5 | Warner Bros. |
4 | Monster Hunter | $820,000 | -12% | 1,661 | -33 | $494 | $10,194,826 | 6 | Sony Pictures |
5 | News of The World | $810,000 | -19% | 1,874 | -79 | $432 | $9,651,865 | 5 | Universal Pictures |
6 | Fatale | $415,000 | -12% | 1,130 | -45 | $367 | $5,273,602 | 6 | Lionsgate |
7 | Promising Young Woman | $400,000 | -10% | 1,236 | -97 | $324 | $3,979,465 | 5 | Focus Features |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | Our Friend | $250,000 | — | 543 | — | $460 | $250,000 | 1 | Gravitas Ventures |
2 | The War With Grandpa | $163,944 | 1% | 507 | 85 | $323 | $19,469,358 | 16 | 101 Studios |
3 | Pinocchio | $122,660 | -22% | 602 | -58 | $204 | $1,527,538 | 5 | Roadside Attractions |
4 | The Emperor’s New Groove (2021 Re-Issue) | $115,000 | -28% | 635 | -109 | $181 | $334,000 | 2 | Walt Disney Pictures |
5 | Come Play | $100,000 | -4% | 166 | 7 | $602 | $9,949,535 | 13 | Focus Features |
6 | No Man’s Land | $62,000 | — | 255 | — | $243 | $62,000 | 1 | IFC Films |
7 | Freaky | $41,000 | -2% | 134 | -2 | $306 | $8,947,705 | 11 | Universal Pictures |
8 | Half Brothers | $35,000 | -20% | 108 | -43 | $324 | $2,235,135 | 8 | Focus Features |
# | TITLE | WEEKEND | LOCATIONS | AVG. | TOTAL | WKS. | DIST. | ||
---|---|---|---|---|---|---|---|---|---|
1 | PG: Psycho Goreman | $44,500 | — | 45 | — | $989 | $44,500 | 1 | RLJE Films |
The post WEEKEND BOX OFFICE: <em>The Marksman</em> Narrowly Holds On To No. 1 Ranking Over Slow Weekend appeared first on Boxoffice.
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