The box office expectedly tallied its second-worst weekend of the year over the Labor Day frame, with studios opting to release exactly zero major new wide releases as the summer box office rolls to a close. That allowed Lionsgate’s Angel Has Fallen to repeat in the top spot with an estimated $11.5 million over the three-day period and a projected $14.5 million over the four-day, while holdovers like Good Boys, The Lion King and Hobbs & Shaw had a little more room to breathe in advance of It: Chapter Two’s sure-to-be-explosive debut next weekend.
After debuting to a solid $21.3 million last weekend, Angel Has Fallen held well in its sophomore frame, dropping roughly 46% from its opening three-day frame to give the Gerard Butler actioner $43.6 million through Monday. The threequel is currently edging out its predecessor London Has Fallen, which had $39 million through the end of its second three-day weekend versus $40.7 million for Angel through Sunday.
Second place went to Universal’s Good Boys, which dropped just 21% to take in an estimated $9.1 million in its third frame and a projected $11.5 million over the four-day weekend. That’s a superb hold for the R-rated comedy, which has been benefitting from strong word-of-mouth. It now has an impressive $58.6 million total.
Disney’s The Lion King rose two spots to third place in its seventh weekend, bringing in an estimated $6.7 million over the three-day period and a projected $9.2 million through Monday. With $521 million to date, the Disney blockbuster is currently the 13th highest-grossing film of all time domestically–putting it just shy of Rogue One: A Star Wars Story, which finished its North American run with $532.1 million.
Fast & Furious Presents: Hobbs & Shaw took in an estimated $6.2 million in fourth place over the three-day weekend (and a projected $8 million over the four-day), giving the Universal action spinoff $158.8 million in North America to date. It now sits at No. 5 on the list of highest-grossing installments in the long-running franchise, having surpassed 2009’s Fast and Furious ($155 million total) not adjusting for inflation.
Taking fifth was last weekend’s faith-based sleeper Overcomer, which grossed an estimated $5.7 million over the three-day weekend and a projected $7.8 million four-day. That represents a drop of just 29% for the Sony/Affirm release, which opened to a solid $8.1 million last weekend on just over 1,700 screens.
In sixth place, the well-reviewed Ready Or Not took in an estimated $5.6 million in its second weekend (and a projected $6.6 million over the four-day). That’s a dip of just 30% for the Disney-released Fox Searchlight title, which seems to have benefitted from good word-of-mouth following a so-so $8 million opening last weekend. The R-rated horror release has taken in $21.1 million to date, though it will likely take a major hit next weekend with the release of It: Chapter Two.
Scary Stories to Tell in the Dark took in an estimated $5 million over the three-day period and a projected $6.2 million over the four-day, pushing the Lionsgate/CBS Films release to seventh place and a healthy $58.8 million through the end of its fourth weekend.
Expanding to 3,162 theaters this weekend with four minutes of additional footage was Sony’s Spider-Man: Far From Home, which finished in eighth place with an estimated $4.2 million over the three-day frame and a projected $5.4 million over the four-day. That would give the MCU installment $385.8 million in North America, where it currently stands as the second highest-grossing Spider-Man film of all time not adjusting for inflation. Notably, Far From Home was the crown jewel in a very good season for Sony, which is poised to take second place in summer market share for the first time since 2010 with a projected $700 million in domestic grosses.
In ninth, Paramount’s Dora and the Lost City of Gold took in an estimated $4.14 million Friday-Sunday and a projected $5.7 million over the four-day frame for $51.1 million to date, while tenth place went to Sony’s The Angry Birds Movie 2, which brought in an estimated $4.11 million over the three-day frame and a projected $5.4 million over the four-day. That would give the animated sequel a disappointing $35.2 million to date.
Limited Release:
Debuting on 371 screens, Lionsgate/Pantelion’s Spanish-language rom-com Tod@s Caen debuted with an estimated $1.08 million and a projected $1.35 million over the four-day frame.
Amazon Studios’ Brittany Runs a Marathon expanded to 49 screens in its sophomore frame and brought in an estimated $414K over the three-day frame, bringing its total to $639K through Sunday.
Overseas Update:
Hobbs & Shaw took in an estimated $39.1 million overseas this weekend (including a second weekend in China of $27.9 million), bringing its international total to $525.3 million and its global cume to a healthy $684.2 million. Its total in China stands at $166 million to date.
With another $20.6 million overseas this weekend, the worldwide total for Disney’s The Lion King has risen to $1.562 billion, surpassing both Furious 7 ($1.516 billion) and The Avengers ($1.519 billion) to become the seventh highest-grossing movie of all time globally. Internationally, the remake also stands at No. 7 on the all-time list with $1.041 billion, having exceeded the gross of both Fate of the Furious ($1.01 billion) and Jurassic World ($1.019 billion).
The post Studio Weekend Estimates: <em>Angel Has Fallen</em> Repeats at No. 1 w/ $11.5M 3-Day/$14.5M 4-Day Over Sluggish Holiday Frame appeared first on Boxoffice.
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